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grants / scholarships
DIGITAL RESOURCES GRANTS PROGRAM | KRESS FOUNDATION
•Application Deadline
01.10.2013
Supports efforts to integrate new technologies into the practice of art history and the creation of important online resources in art history, including both textual and visual resources.
This grant program does not typically support the digitization of museum object collections.
Grants are award to non-profit institutions with 501(c) 3 status, based in the United States, including supporting foundations of European institutions.
These are competitive grants. Please see ‘Past Grants’ and ‘Annual Reports’ for past awards and typical levels of funding.
In addition to submitting printed materials, applicants should include a CD containing a complete set of the application materials. The materials on the CD must be presented as a single PDF document.
Application Deadlines*: April 1 and October 1
*Please note, if the application deadline falls on a weekend, applications must be received by the previous Friday.
The Digital Resources program is intended to create incentives for historians of art and architecture, as well as archivists and librarians who support their work, to convert important existing information resources to digital form. These resources will reach a vastly larger audience of specialists, teachers, and students online than they could ever reach previously, while also fostering new forms of research and collaboration and new approaches to teaching and learning. Support will also be offered for the digitization of important visual resources (especially art history photographic archives) in the area of pre-modern European art history; of primary textual sources (especially the literary and documentary sources of European art history); for promising initiatives in online publishing; and for innovative experiments in the field of digital art history. Please note that this grant program does not typically support the digitization of museum object collections.
•Application Deadline
01.10.2013
Supports efforts to integrate new technologies into the practice of art history and the creation of important online resources in art history, including both textual and visual resources.
This grant program does not typically support the digitization of museum object collections.
Grants are award to non-profit institutions with 501(c) 3 status, based in the United States, including supporting foundations of European institutions.
These are competitive grants. Please see ‘Past Grants’ and ‘Annual Reports’ for past awards and typical levels of funding.
In addition to submitting printed materials, applicants should include a CD containing a complete set of the application materials. The materials on the CD must be presented as a single PDF document.
Application Deadlines*: April 1 and October 1
*Please note, if the application deadline falls on a weekend, applications must be received by the previous Friday.
The Digital Resources program is intended to create incentives for historians of art and architecture, as well as archivists and librarians who support their work, to convert important existing information resources to digital form. These resources will reach a vastly larger audience of specialists, teachers, and students online than they could ever reach previously, while also fostering new forms of research and collaboration and new approaches to teaching and learning. Support will also be offered for the digitization of important visual resources (especially art history photographic archives) in the area of pre-modern European art history; of primary textual sources (especially the literary and documentary sources of European art history); for promising initiatives in online publishing; and for innovative experiments in the field of digital art history. Please note that this grant program does not typically support the digitization of museum object collections.
grants / scholarships
HISTORY OF ART GRANTS PROGRAM | KRESS FOUNDATION
•Application Deadline
01.10.2013
Support for scholarly publications, art museum exhibitions and catalogues, international conferences and symposia.
Grants are awarded to non-profit institutions with 501(c) 3 status, based in the United States, including supporting foundations of European institutions.
These are competitive grants. Please see ‘Past Grants’ and ‘Annual Reports’ for past awards and typical levels of funding.
In addition to submitting printed materials, applicants should include a CD containing a complete set of the application materials. The materials on the CD must be presented as a single PDF document.
Application Deadlines*: January 15, April 1, and October 1
*Please note, if the application deadline falls on a weekend, applications must be received by the previous Friday.
The History of Art program supports scholarly projects that will enhance the appreciation and understanding of European art and architecture. Grants are awarded to projects that create and disseminate specialized knowledge, including archival projects, development and dissemination of scholarly databases, documentation projects, museum exhibitions and publications, photographic campaigns, scholarly catalogues and publications, and technical and scientific studies.
Grants are also awarded for activities that permit art historians to share their expertise through international exchanges, professional meetings, conferences, symposia, consultations, the presentation of research, and other professional events.
http://www.kressfoundation.org/grants/history_of_art/
•Application Deadline
01.10.2013
Support for scholarly publications, art museum exhibitions and catalogues, international conferences and symposia.
Grants are awarded to non-profit institutions with 501(c) 3 status, based in the United States, including supporting foundations of European institutions.
These are competitive grants. Please see ‘Past Grants’ and ‘Annual Reports’ for past awards and typical levels of funding.
In addition to submitting printed materials, applicants should include a CD containing a complete set of the application materials. The materials on the CD must be presented as a single PDF document.
Application Deadlines*: January 15, April 1, and October 1
*Please note, if the application deadline falls on a weekend, applications must be received by the previous Friday.
The History of Art program supports scholarly projects that will enhance the appreciation and understanding of European art and architecture. Grants are awarded to projects that create and disseminate specialized knowledge, including archival projects, development and dissemination of scholarly databases, documentation projects, museum exhibitions and publications, photographic campaigns, scholarly catalogues and publications, and technical and scientific studies.
Grants are also awarded for activities that permit art historians to share their expertise through international exchanges, professional meetings, conferences, symposia, consultations, the presentation of research, and other professional events.
http://www.kressfoundation.org/grants/history_of_art/
exhibition
Memory: International Mail Art Exhibition and Swap
•Application Deadline
01.10.2013
All artworks received that fulfill the guidelines will be exhibited in the Gallery and online.
All artworks will be traded with another artist’s works at the end of the exhibition.
Artists from all over the world are invited to contribute their work for the Richmond Art Gallery’s
International Mail Art Exhibition and Swap. Mail Art (aka Postal Art) is an art form where artists
exchange artworks and correspondence through the mail.
While all works received that fulfill the participation guidelines will be exhibited, we ask artists to
respond to the theme of “memory”. This may include, but is not limited to:
Individual memories
Collective memory
Favourite memories
Memory loss
Memorization
In Memoriam
Read more
http://richmondartgallery.org/pdfs/RAG-Mail-Art-Call-Out-2013.pdf
Theme: Memory
Size: 4” x 6” (10.2 x 15.3 cm) postcard
Medium: Any medium that can be sent through the postal system, original artworks
only (no photocopies)
Include: Your name, mailing address, email (on the back)
Send to: Memory: Mail Art Exhibition
Richmond Art Gallery
7700 Minoru Gate
Richmond, BC
V6Y 1R9
Canada
http://richmondartgallery.org/
Exhibition: November 17, 2013 – January 6, 2014
Opening Reception: November 16, 2013 from 3:00-5:00pm
•Application Deadline
01.10.2013
All artworks received that fulfill the guidelines will be exhibited in the Gallery and online.
All artworks will be traded with another artist’s works at the end of the exhibition.
Artists from all over the world are invited to contribute their work for the Richmond Art Gallery’s
International Mail Art Exhibition and Swap. Mail Art (aka Postal Art) is an art form where artists
exchange artworks and correspondence through the mail.
While all works received that fulfill the participation guidelines will be exhibited, we ask artists to
respond to the theme of “memory”. This may include, but is not limited to:
Individual memories
Collective memory
Favourite memories
Memory loss
Memorization
In Memoriam
Read more
http://richmondartgallery.org/pdfs/RAG-Mail-Art-Call-Out-2013.pdf
Theme: Memory
Size: 4” x 6” (10.2 x 15.3 cm) postcard
Medium: Any medium that can be sent through the postal system, original artworks
only (no photocopies)
Include: Your name, mailing address, email (on the back)
Send to: Memory: Mail Art Exhibition
Richmond Art Gallery
7700 Minoru Gate
Richmond, BC
V6Y 1R9
Canada
http://richmondartgallery.org/
Exhibition: November 17, 2013 – January 6, 2014
Opening Reception: November 16, 2013 from 3:00-5:00pm
residency / fellowship
ArtsLink Residencies for Visual & Media Arts
•Application Deadline
15.10.2013
ArtsLink Residencies offers artists and arts managers from eligible overseas countries a five-week residency at an established, non-profit arts organization in the US. The program is designed to create opportunities for artists and communities across the US to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures.
The residencies will take place in fall 2014.
Eligibility: contemporary artists and arts managers working in performing arts and literature. Applicants must be citizens of, and currently reside in, an eligible country. There are no age limitations. Applicants must have sufficient knowledge of English to function independently while in the US.
Undergraduate students, amateurs and research scholars are not eligible. Arts managers must be affiliated with an arts organization in the non-commercial sector.
More info: http://www.cecartslink.org/grants/artslink_residencies
CEC ArtsLink promotes international communication and understanding through collaborative, innovative arts projects for mutual benefit. It supports and produces programs that encourage the exchange of visual and performing artists and cultural managers in the United States and 32 countries overseas. As an international organization, it believes that the arts are a society's most deliberate and complex means of communication and that the work of artists and arts administrators can help nations overcome long histories of reciprocal distrust, insularity and conflict.
•Application Deadline
15.10.2013
ArtsLink Residencies offers artists and arts managers from eligible overseas countries a five-week residency at an established, non-profit arts organization in the US. The program is designed to create opportunities for artists and communities across the US to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures.
The residencies will take place in fall 2014.
Eligibility: contemporary artists and arts managers working in performing arts and literature. Applicants must be citizens of, and currently reside in, an eligible country. There are no age limitations. Applicants must have sufficient knowledge of English to function independently while in the US.
Undergraduate students, amateurs and research scholars are not eligible. Arts managers must be affiliated with an arts organization in the non-commercial sector.
More info: http://www.cecartslink.org/grants/artslink_residencies
CEC ArtsLink promotes international communication and understanding through collaborative, innovative arts projects for mutual benefit. It supports and produces programs that encourage the exchange of visual and performing artists and cultural managers in the United States and 32 countries overseas. As an international organization, it believes that the arts are a society's most deliberate and complex means of communication and that the work of artists and arts administrators can help nations overcome long histories of reciprocal distrust, insularity and conflict.
residency
NEW
NEW
ARTIST-IN-RESIDENCE PROGRAM FOR PRINTMAKERS | Kala Art Institute
•Application Deadline
15.10.2013
residencies starting in November, December, January, February, or March
Application Materials
-Completed application questions
-Artist resumé or CV
-Work samples, up to 10 images and/or 10 minutes of video
You will find out if you have been accepted approximately two weeks after the application deadline. Kala's Studio Managers sometimes require the artist to complete certain classes or technical tutorials before beginning the residency. If this is the case, the artist is given a list of the classes/tutorials required. At this point the artist may accept or reject the offer of a residency.
If the residency offer is accepted, the artist completes the required conditions within a reasonable time frameif needed (approximately 2 months), signs the residency contract, and pays a $100 security deposit and the first month's fee. The Studio and EMC Managers give the artist studio/equipment orientations.
Artists working in various printmaking techniques, photo-processes, book arts and digital media including video production can apply to become an Artist-in-Residence at Kala Art Institute. Residency applications are accepted online three times per year. Artists who apply for residency should be familiar with at least one of the media offered at Kala. Considerations for acceptance are conceptual creativity and technical knowledge. Kala encourages use of both traditional and new technologies, and their admixture.
Resident artists receive 24-hour access to the printmaking workshop and/or electronic media center, individual storage space, possible exposure on Kala's website and in other exhibitions at Kala or outside exhibition spaces, and participation in a vital, international artistic community. Artists also receive a 20% discount on classes and private tutoring offered by Kala.
Kala Art Institute
Studios:
1060 Heinz Avenue
Berkeley, CA 94710
http://www.kala.org/air/air.html
•Application Deadline
15.10.2013
residencies starting in November, December, January, February, or March
Application Materials
-Completed application questions
-Artist resumé or CV
-Work samples, up to 10 images and/or 10 minutes of video
You will find out if you have been accepted approximately two weeks after the application deadline. Kala's Studio Managers sometimes require the artist to complete certain classes or technical tutorials before beginning the residency. If this is the case, the artist is given a list of the classes/tutorials required. At this point the artist may accept or reject the offer of a residency.
If the residency offer is accepted, the artist completes the required conditions within a reasonable time frameif needed (approximately 2 months), signs the residency contract, and pays a $100 security deposit and the first month's fee. The Studio and EMC Managers give the artist studio/equipment orientations.
Artists working in various printmaking techniques, photo-processes, book arts and digital media including video production can apply to become an Artist-in-Residence at Kala Art Institute. Residency applications are accepted online three times per year. Artists who apply for residency should be familiar with at least one of the media offered at Kala. Considerations for acceptance are conceptual creativity and technical knowledge. Kala encourages use of both traditional and new technologies, and their admixture.
Resident artists receive 24-hour access to the printmaking workshop and/or electronic media center, individual storage space, possible exposure on Kala's website and in other exhibitions at Kala or outside exhibition spaces, and participation in a vital, international artistic community. Artists also receive a 20% discount on classes and private tutoring offered by Kala.
Kala Art Institute
Studios:
1060 Heinz Avenue
Berkeley, CA 94710
http://www.kala.org/air/air.html
residency
The Studio | exploring new directions in glass art | The Corning Museum of Glass
•Application Deadline
31.10.2013
Transportation, as well as room and board, will be arranged for those invited to participate in these month-long programs. All basic supplies will be provided, and the facility will be made available whenever classes are not in session. Residents will have access to the Rakow Research Library and the collection of The Corning Museum of Glass. Residents are expected to make their own work during a residency.
Residencies will be held in March, April, May, October, and November. One or two individuals will be selected for each month.
If you are interested in being considered, please submit your application including 10 digital images of your work, two letters of recommendation, a written proposal (including detailed information on your residency plans; necessary supplies, equipment, and assistants), the best months for you to participate, and a resumé.
The Studio’s Artist-in-Residence program brings artists from around the world to Corning. The artists spend a month at The Studio, exploring new directions in glass art, or expanding on their current bodies of work, while using the immense resources of the world’s leading glass museum. At the end of the residency, each artist gives a presentation about his or her work. This is a free event held in The Studio Lecture Room and open to the public.
Read more
http://www.cmog.org/glassmaking/studio/residencies
One Museum Way
Corning (city),
New York 14830
•Application Deadline
31.10.2013
Transportation, as well as room and board, will be arranged for those invited to participate in these month-long programs. All basic supplies will be provided, and the facility will be made available whenever classes are not in session. Residents will have access to the Rakow Research Library and the collection of The Corning Museum of Glass. Residents are expected to make their own work during a residency.
Residencies will be held in March, April, May, October, and November. One or two individuals will be selected for each month.
If you are interested in being considered, please submit your application including 10 digital images of your work, two letters of recommendation, a written proposal (including detailed information on your residency plans; necessary supplies, equipment, and assistants), the best months for you to participate, and a resumé.
The Studio’s Artist-in-Residence program brings artists from around the world to Corning. The artists spend a month at The Studio, exploring new directions in glass art, or expanding on their current bodies of work, while using the immense resources of the world’s leading glass museum. At the end of the residency, each artist gives a presentation about his or her work. This is a free event held in The Studio Lecture Room and open to the public.
Read more
http://www.cmog.org/glassmaking/studio/residencies
One Museum Way
Corning (city),
New York 14830
festival / biennial
MONO NO AWARE VII - Brooklyn, NY
•Application Deadline
31.10.2013
MONO NO AWARE
PMB # 303
302 Bedford Avenue
Brooklyn, NY
11249
United States
Open call
http://mononoawarefilm.com/entries/
Entry form
http://mononoawarefilm.com/wp-content/uploads/2012/07/MNA_ENTRY_FORM2013.pdf
MONO NO AWARE is an international exhibition open to any person or group of persons making contemporary art that incorporates Super 8mm, 16mm, 35mm or altered light projections as part of a sculpture, installation, dance, or expanded cinema performance. For example: blending film & theater performance, musicians creating a visual experience for their sound, & experimental filmmakers working with story tellers. Submissions including digital projections will not be considered (i.e. HDcam, DigiBETA, DVcam, DVD) all moving images should be from an analog source.
•Application Deadline
31.10.2013
MONO NO AWARE
PMB # 303
302 Bedford Avenue
Brooklyn, NY
11249
United States
Open call
http://mononoawarefilm.com/entries/
Entry form
http://mononoawarefilm.com/wp-content/uploads/2012/07/MNA_ENTRY_FORM2013.pdf
MONO NO AWARE is an international exhibition open to any person or group of persons making contemporary art that incorporates Super 8mm, 16mm, 35mm or altered light projections as part of a sculpture, installation, dance, or expanded cinema performance. For example: blending film & theater performance, musicians creating a visual experience for their sound, & experimental filmmakers working with story tellers. Submissions including digital projections will not be considered (i.e. HDcam, DigiBETA, DVcam, DVD) all moving images should be from an analog source.
